There are little clues everywhere to remind us of the passage of
time, to remind us of how important it is to pay attention to the
clock.
Yesterday, for example, was a busy day here in Bangkok ... early
in the morning, I went to the Department of Land Transportation at
the north end of the overhead SkyTrain and endured two hours of
bureaucratic queuing and simple eye-hand coordination tests before I
upgraded my temporary Thai driver's license to the new “permanent”
license which will allow me to dodge motorcycles and Tuk Tuks until
my birthday in 2019.
Later that evening, with that date still sticking in my head, I
went to see The Lunchbox with
my wife, Tan.
The Lunchbox is a quiet film,
existentially circling about the big questions of life and the Mumbai
landscape, asking its characters (the contemplative, world-weary
Irrfan Khan and sad-eyed Nimrat Kaur) if they're happy to accept
their fates, riding the remorseless conveyer belt of life, or if they
can choose new courses of action. What is the meaning behind all
this? Why do some people eat full-course lunches while others have
to make do with a pair of bananas? For what reason do we pack like
sardines into trains and buses day after day? These sorts of
questions were what this enchanting and poignant new Indian realism
were posing.